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FUSION: A STUDY ON CONTEMPORARY MUSIC FOR THE BASS BOOK/CD COLLECTIVE BOOKS (Collective: Contemporary Styles), by Leo Traversa
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(Bass Instruction). The genre fusion, as the name implies, is a blend of many styles and influences. This book and CD use four tunes as a basis to show how this fusion-blending process can occur and expose you to new musical ideas. With unique step-by-step approaches to developing "fused" feels that are not just superficial pasting-together styles, you'll discover how to create new grooves for yourself. In addition, there are many agility exercises to help you reach a high level of musicianship. For each style, there is a comprehensive lesson centering on a fully notated chart of the music on written in the book and performed on the CD. The lessons consist of a breaking down of all the inspirational, musical and technical elements involved in developing a convincing performance of the tune. The CD contains a demonstration performance of the tune, followed by a version of the tune without the bass so you can play along with the sound of the music in your ears, you can study and practice the technical aspects performing the rhythms and lines of each style.
- Sales Rank: #4345862 in Books
- Brand: Hal Leonard
- Published on: 2011-07-01
- Released on: 2007-01-22
- Original language: English
- Number of items: 1
- Dimensions: 12.00" h x .10" w x 9.00" l, .0 pounds
- Binding: Sheet music
- 32 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Filling the gap on bass books
By Amazon Customer
This book from the Collective fills a major hole in the selection of bass books. Most people who buy these books are somewhat self-taught/self-paced. Once you get beyond the intro to bass books, its hard to transition from there. This has been especially true if you are into fusion music. I say this because this is the case for myself.
In this book, the subject of contemporary fusion is covered progressively. Simply read the first chart and listen to it. Then read and listen to the last 2 and you will see this is designed to truly teach you something! What a concept. The progressive nature of this book is very satisfying if you wanted help taking your skills in reading, listening and writing music to the next level (certainly true as a self-teaching bass player). The book covers individual progressive/fusion concepts in rhythm, harmony and so forth, then shows you the concepts through the context of 4 very different charts. You also get the double take treatment, meaning you get the demo track with full band followed by the "minus bass" track. Though, I recommend playing along with the demo early on if this is not the type of music you often get to play/practice. This is straight standard notation. No TABS, which is a good thing if you want to play music with more advanced musicians.
If your ears are very knowledgeable on fusion music, you may be a bit disappointed in the overall selection of charts covered. This book certainly could use 2 more volumes. You will not get too much of an opportunity to cover traditional walking lines in a modern fusion context which you often hear with payers like Anthony Jackson or John Pattitucci. There is not much for neo-soul crossover here either. This mostly contains light funk influences and some afro-cuban styles in a modern jazz/rock context. So, if you really like names like Robert Glasper, "Thundercat" Stephen Bruner, Hiromi Uehara or Simon Philips and so on, you may be left wanting a bit more.
All the same, this is a great start and hopefully we can see more of this in the future from Carl Fischer and the Collective guys in NYC.
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