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Origins of the Chinese Avant-Garde: The Modern Woodcut Movement, by Xiaobing Tang
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In Origins of the Chinese Avant-Garde, Xiaobing Tang studies the art and art theories of the first half of the twentieth century, when modern Chinese art and literature emerged. He argues that the most consequential expression of the avant-garde was the modern woodcut movement that thrived in China in the 1930s. In this innovative study—also the first comprehensive account of this Chinese movement available in English—Tang examines the aesthetic, intellectual, and social appeal of the modern woodcut and places the movement at the intersection of historical events, individual efforts, and competing discourses on art. He also shows how the woodcut movement drew upon international inspiration—from German Expressionism, Soviet wood engravings, and Japanese creative prints.
- Sales Rank: #1646136 in Books
- Published on: 2007-11-20
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .88" w x 7.00" l, 2.20 pounds
- Binding: Hardcover
- 318 pages
From the Inside Flap
Xiaobing Tang's Origins of the Chinese Avant-Garde is much more than its title implies, for it is both a vivid account of the conflict between Chinese artistic conservatism, freedom of expression, and political commitment in the 1920s and 1930s and a deeply researched study of the origins and development of the woodcut movement. The author ranges widely over the controversial writings of this hectic period, showing how intimately art, literature, criticism, and politics were intertwined, but gives due prominence to such key figures as Cai Yuanpei and Lu Xun. This book will attract many readers for the vigor and lucidity of Tang's style and will become an essential source for anyone concerned with the cultural history of this turbulent era.—Michael Sullivan, author of Modern Chinese Artists: A Biographical Dictionary
Origins of the Chinese Avant-Garde is a genuine masterpiece of scholarship, an impressively documented cultural history of the Republican period. In five substantial chapters written in highly lucid and eloquent prose, Xiaobing Tang reconstructs, in detail, the art world of the Republican era, with all its different styles, organisations, institutions, and individuals, and provides cross-references to contemporaneous events in other fields, especially literature. Presenting the emergence of the woodblock printing movement in the context of other art movements, traditionalist and modernist, this book offers an art history of the period more comprehensive than any other, in Chinese or in English.—Michel Hockx, Professor of Chinese, School of Oriental and African Studies, University of London
"This is one of the first books in English to connect the literature and the fine arts of the early twentieth century. The author follows Lu Xun, one of the leading proponents of the revival of woodblock printmaking in early republican China, as the central thread in a narrative examining the intersections of art education, visual art, literature, and the cinema. Drawing on a wide variety of published materials, Tang successfully puts avant-garde work of the 1930s into a much broader cultural perspective."—Kuiyi Shen, author of A Century in Crisis: Modernity and Tradition in the Art of Twentieth-Century China
About the Author
Xiaobing Tang is Professor of Chinese at the University of Southern California. He is the author of Chinese Modern: The Heroic and the Quotidian (2000) and Global Space and the National Discourse of Modernity: The Historical Thinking of Liang Qichao (1996).
Most helpful customer reviews
5 of 5 people found the following review helpful.
primarily history book, not an art book
By W Boudville
Woodcuts have been around for over a millennium in China. But Tang looks at a much more recent instantiation. He identifies a modern movement that originated in the 1930s, as a reaction to the turbulent events in China, mainly a weak and corrupt feudalistic government and a brutal Japanese invasion.
He describes key artists, many perhaps little known outside China. The subjects of the woodcuts often have political meaning. Sometimes Communist inspired. The book is not a simple pictorial guide to woodcut images. Though of course it has several nice plates of these. More broadly, it chronicles the history and struggles of the time. It was halfway into the book before I realised that this is not a typical art book. But rather one about history. And that woodcuts are the lens through which Tang describes 1930s China.
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